An Inspirational Saturday at Bristol Southbank Arts Trail
I woke up yesterday morning feeling like death warmed up. A combination of a full working week, followed by my first shift in the pub and a sleepless night left me in urgent need of some coffee and some good food. So after my friend Lucy asked me to meet her at the Old Bookshop I was more than happy to find this in front of me!
We were about to embark on the Southbank Arts Trail, and I had no idea what was in store. As it turned out, this breakfast was to set us up for the day, as we hit the streets on our bikes for the next six hours to cover only half of what we wanted to see.
One of the first places we entered was The Bed Workshop, which was decorated wall to wall with illustrations and would be hosting a ukelele rock opera later in the day. Sadly we didn’t get to see that, however I did pick up these lovely cards by Melanie Wickham.
I also bought this print by Lou Archell, who I have just discovered also has a lovely blog! I fell in love with this print – I seem to be rather attracted to tree type imagery at the moment. Now to find a frame!
We entered an array of houses and public spaces exhibiting everything from illustrations and photography, to pottery, glassware and textiles. It was a real inspiration how motivated these artists are, and I found myself feeling a little bit overwhelmed!
The artist that stood out the most to me was Angie Parker – aka Divaweaver – who took the time to show me how she makes her beautiful rugs and upholstered chairs. I’ve never seen any weaving done before and was mesmerised by the loom and how the fabric came together. Angie also had a great tub full of coloured yarn that I clocked as soon as I walked in, from which she had chosen some wonderful colour combinations for her rugs.
Heading homeward I decided I need to be more proactive when it comes to making things. I’ve been having trouble sitting down and getting things done recetly – I’m hoping this will all change when I finish working full time.
So after knitting a few rows of my bolero and feeling sorry for myself this morning, I thought I’d give my knitting machine another go. I want to make some fair isle purses for Art on the Hill, and that means knowing how this thing works! I persisted and learned how to programme in my own pattern, taken from an image I’d found online, which I converted to a bitmap in Photoshop.
This is where I need some advice. To programme in your own pattern on the Brother KH965, as far as I can tell, you have to sit for ages pressing one of two buttons, which makes the same shrill noise every time you press it with no option to turn the sound off. I know this is an ancient piece of kit, but after an hour and a half this drove me nuts!
Finally I finished programming and rechecking, I’d done some practice rows of knitting, so it was time to knit the owl I hadn’t anticipated what to do when the stitches come of the needles when you are knitting with two colours. When hand knitting, I always fix mistakes from the right side of the work, but with the machine you have to work from the back, which is hard because you can’t see what’s going on in the pattern.
So here he is.. a sad, fat, pale owl because in my haste I forgot that I should have charted him in rectangles rather than squares, to allow for the fact that stitches are wider than they are high. I felted him slightly, largely because I wondered how the yarn would react but also so it would like flat for a picture. Not bad for a first attempt I suppose, though I am put off by the frustration I went through trying to programme this guy in.
I think what I really need is someone like this lady to come and rewire my knitting machine so my MacBook can talk to it: